プロフィール画
saya  a.k.a. philosophique girl

.
.
I'm just a girl who tries to make her music

talk about what I love and my day

【 techno=98%, my day+fashion etc.=2%】
techno→dark,deep,hard,ambient or mainstream

sending hallucination from Japan_ _

話し足りないとき語ったりします 
【ユーロエレクトロ+音楽制作奮闘記+個人的+自分へのメモ】
follow me ?

   

2014年5月14日水曜日

Beta Recordings / Gmorozov - The Sequence Studies



aw,this article expresses his music perfectly.

(copied from Beta Recordings' SoundCloud)


この文章 かっこよすぎ...!↓ (翻訳しなくて ごめんね)


---------------------

Preview Clips of Gmorozov's forthcoming single on Beta Recordings.

Release Date 9 June 2014

Press Release:

With high profile appearances on both Beta Recordings and its sister-label Nu Electro since 2010, Gmorozov’s pedigree is firmly established. A PHD scientist based in the deepest, darkest depths of Russia (Kazan to be precise) when he’s not publishing academic articles on physical chemistry, he’s conjuring creations that dig spiky claws into the rich history of electronic music with one hand… And caress your ears with the other.

Operating at the fertile forefront of myriad genres, whether he’s slapping down crisp synth-driven D&B, remixing rock legend Billy Idol or hurling down Boy George-approved techno on super-respected imprints such as Bad Life, his sonic motifs are dark, dynamic and ultimately physical. This EP is the perfect example of his high level abilities.

Within split seconds of igniting, ‘Hell Sequence’ is so nagging it’s in danger of infecting your brain for eternity. With its detuned arpeggio, there’s a strong air of paranoia throughout as we rise and rise towards a dense techno-influenced drop. Sweaty, but ultimately funky, ‘Hell Sequence’ is sprung with a relentless loopy energy that twists and morphs and worms deep into your psyche.

‘Sequence XV III’ builds on these ingredients with a different twist. Here the main bedrock riff is a higher note, allowing a rich flow of darker bass textures bubble and surge beneath. Deep-coded with an array of percussive elements that become part of the loopy melody, it’s an instant cause for complete dancefloor hypnosis; locking your floor tightly from its blast off to its stark, naked-synth breakdown.

Take away the tempo and they defy simple genre classification. Imagine Sub Focus covering a Juan Atkins track. Or Noisia remixing Black Strobe…. Gmorozov has created some seriously timeless electronic music right here. The perfect fit: this won’t be the last time Gmorozov’s high profile pedigree is represented on Beta Recordings.

----------------------------

0 件のコメント:

コメントを投稿